“The Apartment” (1960) starring Jack Lemmon, Shirley MacLaine and Fred MacMurray was nominated for 10 Oscars and won five of them, including an Academy Award for Best Picture and Best Director for Billy Wilder. It is rated by Rotten Tomatoes as the eighth best Christmas film of all time and by Esquire as the third best New Year’s film. In some ways, it seems like the 1960s version of “Love Actually” (or maybe, it should be the other way around). Whether these rankings indicate a true dearth of good holiday films or something else about the film industry and its rankings, “The Apartment” is no longer a feel-good movie or one with many laughs.
C.C. Baxter (Lemmon) is a young executive looking to advance in his company. As such, he loans out his apartment to the executives above him, so that they can cheat on their wives. This leads to late nights on a park bench for Charlie as well as a poor reputation among his fellow apartment dwellers and landlady. Lemmon schedules each of four executives, gives them deadlines to be out of the apartment (which they fail to meet), purchases alcohol and snacks for them to have while they are entertaining the women.
The boss, Jeff Sheldrake (MacMurray), learns about the apartment and its shenanigans and manipulates Baxter into allowing him to use it for his dates with Elevator Operator Fran Kubelik (MacLaine), with whom Baxter is in love. Baxter doesn’t know the identity of the woman Sheldrake is dating, and with the promise of promotion and the threat of losing his job, he agrees to the arrangement.
Kubelik makes it clear, on multiple occasions, that she likes Baxter but has absolutely no romantic interest in him. Still, she’s nice enough to him in a friendly way that he keeps his hopes alive for a meaningful relationship with her.
Everyone of the main characters has low morals of some sort. Disney staple MacMurray’s Sheldrake is a liar and manipulator, who serially cheats on his wife. MacLaine’s Kubelik knows Sheldrake is married and still goes out with him while lamenting about the type of men she’s attracted to. While she may seem to be the victim, she is complicit in her decision to continue going out with Sheldrake even after she has ostensibly broken off the relationship. The company itself shows its morals at the Christmas party where co-workers make out in every corner and one of the women does a striptease on a desk. All of this can be taken in context of current and past morals. (When Sheldrake confronts Baxter, Baxter says four bad apples are very little in relation to over 32,000 employees; Sheldrake responds with the fact that even four bad apples can ruin a large barrel.)
Lemmon’s Baxter may be the least objectionable morally; he certainly isn’t as bad as he could be. He never resorts to blackmail to get his promotions. Still, he’s an enabler and a liar, and his need to climb the corporate ladder trumps his better judgement. His character is the only one with a believable arc. At least, the doctor, his wife and presumedly, the landlady are good people.
Lemmon, MacLaine (until her sudden change of mind/heart), and MacMurray are convincing in their roles. They are sympathetic actors even if their characters don’t offer much in the way of sympathy, and as long as cheating on your wife, attempted suicide, and discussion of another attempted suicide make for funny situations in holiday films for you, “The Apartment” is a decent movie. It’s interesting as a cultural study, especially in view of many people who would like to back to the era when men in power could cheat on their wives with impunity. Though this movie includes a woman who would cheat on her husband, who is in jail in Havana, so maybe this is where the sexual revolution began.