Winds in the east\ Mist comin’ in\ Like something’s a
brewin’\ About to begin\ Can’t put me finger\ On what lies in store\ I’ll write
an extra article\ If I get five more (patreon members)…
One-man band, poet, chalk artist, chimney sweep… Bert has a
lot of jobs in “Mary Poppins” and he does them with style. Anyone who can go up
on the rooftops and step in time or chase a cartoon fox through his own drawing
has a flexibility of thinking that allows him to be more creative. Flexibility
in thinking is one of the four key categories that are measured when scientists
We have eight days left in our Patreon promotion. For every
five people that join at any level before August 1, I will write an additional
creativity article. I already have one ready to go for August 14: “’Popeye,’
criticism, and creativity.” If I did the next one on “Mary Poppins,” my Patreon
will be popping!
Join our Patreon today and let’s see how many articles on creativity I can write in a month! (I could probably do a whole series on “Mary Poppins.” The Sherman Brothers, the animation/live action, Julie Andrews and Dick Van Dyke… That’s even without considering the sequel.)
Marc Davis is one of Walt’s Nine Old Men, who worked many of
the early films designing characters that included animals from Bambi and
Maleficent. When Marc Davis came over to WED, he brought his sense of humor
with him. He added humorous scenes to the Jungle Cruise and was one of the main
designers of the Pirates of the Caribbean.
When he was brought on to the Haunted Mansion project, he
had to struggle with Claude Coats and his design preferences. The two men were equals
in the office. Coats wanted a scary Mansion; Davis wanted something funnier. A
compromise of sorts was reached, and Coats’ influence can be seen at the
beginning of the attraction with Davis’ scenes becoming stronger in the end.
“I think that’s the whole thing with creativity is if there’s
something new out there, why not give it a try?” said Marc Davis (Disney Family
Album). Use Marc Davis as your motivation and give something new a try.
You can also find more articles about Disney, Disneyland and creativity at our archive website, www.penguinate.weebly.com, and on our blog. If you would like to get even more articles about creativity, join our Patreon and become a Penguinator.
The penguins are out of the box (even if the cat is still in it). A creativity storm is coming, but it can only happen with your help! For every 5 people that sign up at any level for our Patreon, I will write an additional creativity article. If you want to know more about creativity, this will get you there quickly!
Our current schedule looks like this:
August 1: The blog email list – this is open to anyone who has signed up for our email list at Penguinate.com and should include a summary of all the articles that we released on my blog.
August 2: I will post a copy of the blog email and add some tasty tidbits to it like a creativity tip.
August 14: Creativity Post 1 – What do 1980’s ‘Popeye,’ criticism and creativity have in common? This will be released on Penguinate.com with a reminder on Patreon sent the next day.
August 18: Our Patreon Anniversary!
August 22: Penguin of the Month photo
Join us at Patreon to make sure that I have to write something about creativity every day! The more people that sign up on or before July 31, the more articles you’ll see.
For every 5 people who join our Patreon between now and July 31, 2019, I will write an extra creativity article for Patreon members (Penguinators) only. So far, I write one article a month on creativity for Penguinators. The articles have included “The Secrets to Creativity” series, with supporting articles on Penguinate.com. You can read and work on:
The Real Secrets of Creativity: By the Books
The Secrets of Creativity: Paradox
The Secrets to Creativity: Deep Thinking
The Secrets of Creativity: Seeing for Penguinators
The Secrets of Creativity: Play
Those are the most recent posts, along with a breakdown of
our success in June at comic conventions and with my books.
In August, I have already scheduled the first article I am
writing for the creativity storm:
What Do 1980’s ‘Popeye’ and Criticism Have to Do with Creativity?
It will be released for Penguinators only on August 14. If you want to read it, you’ll need to join our Patreon at any level, even $1! Get four of your friends to join and I’ll write another creativity article! For as long as you’re a member, you’ll have access to all of the articles, great discounts at our events, and funny photos of stuffed penguins! Join us today!
It wasn’t too long ago when I would get up early on a
Saturday, sneak down the stairs with my favorite stuffed animal, Chrissi the
Lion, and turn on the TV. I’d keep the volume on low so as not to wake my mom,
who worked the night before. It didn’t matter what was on the TV because I
would run back upstairs and grab a couple more stuffed animals to sit with.
Then I would go to the kitchen and get some cereal. Most of the time, it would
be something sugary like Mr. T Cereal, Cap’n Crunchberries, or Lucky Charms.
One time it was Corn Bran; my grandpa had brought a case of the cereal with him
during a visit, and they were surprisingly good in spite of the name and the
fact that there was no surprise inside.
When I was finally set up and ready to eat, I’d switch the
channel until I found a favorite show. “Disney’s Adventures of the Gummi Bears”
were bouncing here and there and everywhere with their gummi berry juice. You
can’t stop “The Littles” because the Littles don’t stop. “Hong Kong Phooey” was
quicker than the human eye.
If my sister was up, we’d watch “Monchichi” because they
were oh so soft and cuddly. “The Smurfs” facing off against Gargamel and Azrael
were a favorite. “Punky Brewster” reminded us of my sister and served as a role
model of sorts.
Of course, the commercials, with Time for Timer and his
snack tips, Schoolhouse Rocks with their musical educational lessons from “Conjunction
Junction” to “I’m Just a Bill,” and Tony the Tiger extolling the questionable
virtue of a cereal that ended soggy in the bowl, were great! I’d finish out the day’s TV watching activity
with “Dungeons and Dragons” and “The Land of the Lost.” My cat Clyde sat on my lap
We’d adjourn to the upstairs where I could make a little more noise. I’d grab my Legos to build spaceships or a model of some building (I never had enough Legos to complete the building), or I’d set up my Lincoln Logs with my action figures and army men and use my Burning Key Cars, cars with the key for speed, to knock down the fortifications.
If you’ve ever been a fan of Saturday morning cartoons, now
is the perfect time for you to capture the feeling and essence of your inner
child. For far too long, you’ve been hiding the best part of you behind a cloak
of responsibility and adulthood. Now it’s time to unleash your creative self. Once
you’ve rediscovered what it feels like to be young again, you can harness your
curiosity and creativity.
So, get out your stuffed animals, set them up on the couch facing the TV, grab a bowl of cereal, and watch a couple of episodes of your favorite Saturday morning cartoons. Need to add some friends to your stuffed animals, check out our handmade penguins!
Have you ever wanted to know how many articles I could write
on creativity in a month? Generally, I spread my writing out with travel
articles, movie and book reviews, penguins and Disney-related material. Oftentimes,
there’s an overlap between these subjects and creativity; sometimes, I don’t
point the overlap out. What does this have to do with anything?
For the last week of July at our Patreon page, I am issuing
a challenge to you, the members of my Patreon and myself. For every five new
members that pledge at any level, I will write an article about creativity for all
of the Penguinators. If 20 people join, I will write 4 articles for the challenge
and one because that’s what I normally write. If 50 people join, I will write
10 articles plus one or more depending on the other goals we achieve. If 150
people join, I will write 30 articles plus one or more depending on the other
goals we achieve. That would be at least one a day for the month of August!
I’m pretty confident I can write one a day because I’ve been
able to do that at my website for the last 210 days. In fact, I think I can
write as many as five articles a day, but that would mean 750 people would have
to sign up at our Patreon page.
If you want to know how many articles on creativity I can write over the course of a month, you’ll need to join our Patreon and encourage your friends, family members and colleagues to join. Will you accept the challenge to find out what I am capable of? Let’s find out.
In “Penguin Highway” by Tomihiko Morimi, Aoyama is a curious boy in the fourth grade. He takes copious notes, researches everything, makes observations, and never gets angry. When ever he feels like he might get angry, he thinks of breasts, and it calms him down. Is that normal for a fourth grader? I don’t know, but it’s normal for Aoyama, who is clearly not an ordinary child.
When Aoyama is confronted with several problems, he decides
to research them all. His friend Uchida and the girl Hamamoto help him with the
time he has to spend on researching “The Sea.” Uchida is also part of his
exploring and mapping the town. His side project is researching the lady from
the dentist office who can make penguins, which is what sparks the whole story.
Aoyama shows that its not good enough to ask the questions.
He keeps a journal with him at all times. Hamamoto does the same, and Uchida
learns to use a notebook, even if he isn’t the smartest one in the group. Taking
notes allows Aoyama to access the information he has learned at a later time.
It also allows him to manipulate the data, so he can get a bigger picture.
Taking notes requires observation skills. Aoyama has
practiced observing, so he sees what others may miss. He then makes hypotheses
and tests them to see if they can withstand the scientific method. He knows his
theories are most likely wrong, but it’s important to make and test them.
Aoyama’s methods are honed and only missing one piece –
sometimes, the answer doesn’t lie in the logic of a situation or possible
behavior. In creativity, the process is similar: take notes, observe, ask
questions and stay curious; sometimes, you have to make that intuitive leap to
a better answer.
When Pamela Travers confronted Walt Disney about changes she
wanted to see in “Mary Poppins” after the film premiered, Walt Disney said, “Pamela,
that ship has sailed.” It was one of Walt’s frustration with film. Once it was
done, he could change it or tinker with it to make it better. It’s part of the
reason he created Disneyland; it gave him something he could change and
improve. You would think that the company’s live action – or in ‘the Lion King’s”
case, CGI animated – films would allow them to improve on the story.
You’d be wrong. Jon Favreau’s self-proclaimed live action “Lion
King” does nothing to improve up on the original and eliminates some of the
best parts of the 1994 classic. Was there nothing the filmmakers thought they
could improve upon?
The elimination of Ed the hyena who communicated through
laughter is one large change. It was Ed’s change from bumbling fool to evil,
backstabber that was the most frightening change in the original.
The “Be Prepared” sequence lacks the emotional impact that
the Jeremy Irons number had. The visuals and message in the original are
staggeringly relevant and scary. It may have been the best song in the movie.
Favreau’s animals are limited to the things that animals can
do. This necessitated a huge change to the visuals for the “I Just Can’t Wait
to Be King” number. There’s no Hula dancing meerkat, and staff-wielding Rafiki
is only revealed in a lackluster moment of no import. Rafiki pulls the staff
out of a hiding place in the tree and says, “My old friend.” There’s no connection
to this staff in the film, so this statement doesn’t serve a purpose, except as
fulfilling fan expectations. Seriously, you don’t need any fan appreciation
because it’s ALL fan appreciation.
I can respect that Favreau wanted to make these animals photo-realistic;
it’s something Disney tried to do with Bambi in 1940. But in doing so, Favreau
eliminated a lot of what makes the 1994 version a standout film. In fact, this
new version doesn’t even do justice to the stage play, which was truly
something new and fresh when it debuted – and it’s still a work of art.
The last battle between Scar and Simba has less drama than an
episode of “Mutual of Omaha’s Wild Kingdom” where the lions’ strength would be
on full display. Here, it comes off as “Man, this would be powerful if they
were real lions in the wild; instead, it’s artificially enhanced by sound
In the past Disney released their animated films in the theater every seven years so new children could become acquainted with them. That worked for the new “Aladdin.” There were enough changes that it was clear the movie was released for the next generation. “The Lion King” just seems like it was developed because the original made a billion dollars. For those who love the originals, the 2019 version plays like “Phantom Menace” without a new plot line.
I was on my couch eating cereal. I had a late workday
scheduled because I was going to have to teach another CPR class. That meant I didn’t
have to be at work until 10 or 10:30 am. I put my bowl in the sink and went
down to my car. That’s when I heard the news: A plane crashed into the World
“Stupid ass morning radio shows. That’s not even funny” was
my first thought and I changed the channel to hear the same thing. A plane had
crashed into the World Trade Center. “That’s weird. Why would two radio
stations be making the same bad joke.” I changed stations again. A plane had
crashed into the World Trade Center.
“Holy shit.” It was real. I stepped on the gas pedal and
picked up speed as I headed to my job at the American Red Cross. I made it to
the office, and it was dead silent. I went to the lounge and my colleagues were
glued to the TV. I made it just in time to see the second plane plunge into the
World Trade Center. It was unreal, or surreal, or just crazy and the towers
The phones began ringing and would slow down for about a
week. Disaster training classes were packed, and we responded to the emergency
from all over the United States. We were outraged, angry, concerned, mortified…
America had lost its innocence and its insulation. The fabric of our society
could’ve unraveled with a tug in the wrong direction, but that wasn’t the full
While our government was working at dividing the country along
religious and racial lines due to the perpetrators of this heinous act, first
responders – the people on the ground – were working to find survivors, to
clean the wreckage and to bring America hope. Volunteers lined up, filling
rooms for training and deployment, spilling out the doors and into the parking
lot. Donations poured in to help the victims.
Yes, we faced despair and our mortality, but we faced it together.
We were stronger because of those who were able to be on site helping. The
first responders did more than take care of the World Trade Center and its
surroundings; they took care of us as a country. Unifying us in a way that our
leaders refused to do.
It’s time to look toward those first responders who were injured or have fallen ill because of exposure to toxins released when the Twin Towers came down. They can unite us again, and they should. They took care of us; it’s time we take care of them. Shame on the Senate, and specifically Rand Paul, for putting money before people. 9/11 – we’ll never forget. Let’s make sure they know what they mean and meant to this nation before it’s too late. Phone your senator, the president, and your rep and tell them to take care of our 9/11 First Responders in the way they should be taken care of.
I was on my couch eating cereal. Where were you when the
World Trade Center went down? Where are you now that the first responders need
Your creativity is a powerful tool that you can harness for better
or worse. You can use it to unleash your fears and doubts or to capture them
and put them on canvas or paper. You can use it to bring yourself greater joy
and to reach for self-actualization. You can use your creativity to harm people
or you can use it to uplift them. Conspiracy theorists are as creative at
telling stories as novelists are. Bank robbers solve the problems associate
with their chosen profession with creativity. Creativity is only a tool and you
choose what to do with it.
It’s hard to always choose to use creativity to be
uplifting. It can be difficult in the face of abject poverty and bald-faced
lies to summon the courage to bring creative solutions to the problem to bear.
Oftentimes, we get dragged down by the news and reality of a society that
values profits over people. As creatives, we need to turn our efforts to making
a better world for everyone.
Of course, that better world starts with us. By reaching out
our hands and offering to lift people up, we will make our own situations
better and more bearable. Give your creativity over to what it was meant to do –
help you make life better for you as an individual and for human race. Be
uplifting, create uplifting works of art, and create something that makes you, and
those around you, happy.