For my 50th trip to Disneyland, we celebrated Christmas, my mom’s birthday and my grandma’s 90th birthday. It was a great trip. Disneyland has the ability to bring out the child in all of us. Find out how being childlike can help you be more creative. Get a copy of “Disneyland Is Creativity: 25 Tips for Becoming More Creative.” Find links to other Disneyland related articles here. Have a Merry Christmas!
As Charles Dickens wrote in ‘A Christmas Carol’:
“It is good to be children sometimes, and never better than at Christmas, when its mighty Founder was a child himself.” Creativity requires people to be child-like. Children are insatiably curious. They combine things that no one else would think of; they explore the intersections where concrete meets grass and water meets land.
Enjoy these photos from Disneyland’s ‘A Christmas Fantasy Parade’ and find your inner child. Read more about being childlike and creativity.
If you haven’t seen “Wreck-It Ralph 2,” look away now. This review probably contains spoilers. If you’ve seen “Ralph Breaks the Internet,” continue below the trailer.
When Wi-Fi gets plugged in at the arcade and Ralph’s good intentions mess something up, it’s up to Ralph and Vanellope to visit the World Wide Web and find the part that fixes the problem. The fish out of water find a variety of new experiences that they can’t explain. Some of it is as disconnected and strange as the Internet in real life. You might find yourself wondering what you’re actually watching.
However, it isn’t until the Disney Princesses show up that “Wreck-It Ralph 2” finds its groove. The princesses are fun and redeeming, and Disney continues doing what it’s been doing to its princesses since “Frozen” and before.
Fortunately, “Ralph Breaks the Internet” contains more themes than a typical Internet usage day. Identity, friendship, and dreams all take center stage and provide fodder for the movie goer to think about. Of course, if thinking isn’t your thing, there are plenty of “duty”-type jokes to keep you happy. Though no one says you can’t enjoy both. As always, staying until the end delivers a… reward?
Pearl Harbor is an all-day tour. The greatest tragedy in American naval history, Pearl Harbor exhibits commemorate the soldiers that fell during the Japanese sneak attack on docked battleships. Starting with the Arizona Memorial, the film before you go out on the boat shows what led to the Japanese attack and why it was so successful. The Arizona Memorial dock is currently under repair, so visitors get a tour by the memorial with a guide who explains the story and answers questions. Get your tickets online, or you may not be able to go aboard the boat for this FREE tour.
The Bowfin Submarine and its museum are included on the Go Oahu Card as are the below mentioned attractions. The audio guide explains the life of a submariner. I listened to the family version of the guide and found it much more entertaining than the adult version, but you can choose just by punching in the right number.
A shuttle takes guests from the arrival center over a bridge to Ford Island. There, you’ll get to stand on the decks of the Missouri that stands watch over the Arizona. The Mighty Mo was where the Japanese formally surrendered to the Allied Forces. It also saw service during the Korean War and Desert Storm.
If you love planes, the Pacific Aviation Museum is for you! A lot of restored aircraft occupy the two hangars. For me, the most interesting was a B-17 Bomber found in the swamps of New Guinea. Dubbed the “Swamp Ghost,” its insignia was drawn by Disney artists and features Donald Duck in the role of the Swamp Ghost.
If you get hungry while at Pearl Harbor, your best choices for food are at Ford Island. In the shadow of the Mighty Mo is a food truck,and the Pacific Aviation Museum features a counter service restaurant. Both offer better food to eat than the $7 hot dog and the snack shop at the visitors’center.
On a visceral level, the new “Lion King” trailer strikes all the right notes. The sunrise, the building crescendo, James Earl Jones, the beginning of the stampede scene as James Earl Jones talks about his demise, and the African Call that is the original movie’s signature. It inspires goosebumps and causes the heart to speed up. Remember! Let’s face it. People are going to see this remake, and they are going to love it. That doesn’t mean there aren’t problems with the idea of it.
Same Old Stories
Disney has gone into their film vault, dragging their beloved animated classics into the light and exposing them to live-action remake status. Some may point to 1996’s “101 Dalmatians” with Glenn Close as the first successful live action remake. It was successful enough, and possibly sold enough toys, to inspire a sequel. However, 2014’s “Maleficent,” with Angelina Jolie who was born for the role, started the current era of live action adaptations. It was followed by “Cinderella,” “The Jungle Book,” “Beauty and the Beast,” and Christopher Robin.” With one movie released every year. “Dumbo,” “Aladdin,” “The Lion King” and “Lady and the Tramp” are on the docket for 2019.
That’s four live action adaptations in a single year. Those aren’t new stories; they are recycled stories that required less creativity to make and provided more stability for the financial side of the ledger. People may say they want new stories; they don’t. They want properties they know they are going to enjoy, especially when they are spending $15 a ticket. If people wanted new stories, “Kubo and the Two Strings” would’ve been a box office hit. And from the looks of it, “The Lion King” is going to give the audience what it wants. The trailer shots are ripped straight from the animated film. This isn’t a remake or remodeling; it’s a straight up rerelease.
Sequels and Remakes
The Disney, Marvel, and Star Wars film factories are releasing, or distributing, 12 films next year, including “Glass,” a sequel to “Unbreakable,” and “Split.” Of those 12, only “Artemis Fowl,” the DisneyNature release “Penguins” and, possibly, the Marvel production “Captain Marvel” are not sequels or remakes. Giving “Captain Marvel” the benefit of the doubt, the same universe doesn’t necessarily make a sequel or prequel in this case, only 25 percent of Disney’s 2019 releases are new stories. That’s bad for writers and people who are creating new ideas. And let’s face it, “Penguins” is more like a public service, which I’m totally going to go see because, uh, PENGUINS! (Shameless plug: Come on, my website is “penguinate”and my wife makes stuffed penguins, which you should buy!)
Not Live Action
“The Lion King” is being lumped in with Disney’s live action remakes of animated films, but it isn’t live action. No matter how beautifully rendered, the characters are computer animated. At least in “The Jungle Book,” Mowgli was a real actor on screen. (Props to Neel Sethi who had to act against the green screen.) “The Lion King” is computer generated images that, at least as far as the trailer is concerned, will match the animated classic in every way. Fire up the computer and redo every Disney Classic that way; maybe, it will allow Disney to extend the copyright, again, of “Steamboat Willie” before it expires in 2024.
Disneyland and Mary Poppins
There’s a story that at the end of the premier of the original “Mary Poppins,” P.L. Travers had some suggestions for making the film better. Walt looked at her and said something to the effect of “Pamela, that ship has sailed.”
One of the many reasons that Disneyland exists is because Walt wanted something he could change. Once the movie was done, there wasn’t any going back and redoing it to make it better. That ship has sailed, except now, The Walt Disney Company is remaking the films. They just aren’t making them necessarily better.
Where’s the Creativity?
The original “Lion King” made just under $1 billion dollars worldwide in 1997. It was the highest grossing animated film of all time (not adjusted for inflation) and remained at the top of the list until “Toy Story 3.” The new “Lion King” might not live up to the original, even if Disney gets it right – whatever that may mean. Maybe only die-hard fans will see it a second time, but judging by the Twitterverse… God, Disney’s going to make some cash, and that’s bad for creativity. (See Pixar.) Why take a risk when you can take a known commodity, change its medium slightly, and make a boatload of money?
Want More Creativity?
If you want more creativity in the world, I urge you to find several independent authors and artists and support them. Give up one movie this year and use that money to pledge $1 a month to someone on Patreon. Go to a comic convention and find an artist in Artist Alley; buy something from them. I’d love for it to be me. Mostly, I’d love for us to get more original stories out there. We all have a story to tell, but they need to be supported financially in order to get heard.
Speakers’ Club Nov. 17, 2018
Win, Lose or Draw: https://youtu.be/Q5O7rCQaVDw
Three of these things: https://youtu.be/pzVbRmrc9-Q
Baby It’s Cold Outside: https://youtu.be/hnH_RGyzbSU
Do You Hear What I Hear? https://youtu.be/Cm8goTp16js
Who has a birthday on November 18?
Steamboat Willie: https://youtu.be/BBgghnQF6E4
The first fully synchronized sound cartoon, 1928
The Lionel Caboose and the Mickey Mouse Watch Ingersoll, 1930s
The Band Concert, Mickey’s first color cartoon, 1935: https://youtu.be/qLbmWE-0Rmk
Fantasia, 1940: https://youtu.be/3hKgEylk8ks
Mickey Mouse Club, 1955: https://youtu.be/qq6Kgf6Tnus
Stars from the Mickey Mouse Club, 1990s: https://youtu.be/J0vjHWrYL7g
How to Draw Mickey Mouse: https://youtu.be/R-JFC6cyTmc
New Year’s Eve?