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The Top 8 Books on Disney and Creativity

The Walt Disney Company has been considered powerhouse in creative endeavors. With its innovations in animation, movies and theme parks, people associate the Disney brand with creativity. So, aside from my two books, “Disneyland Is Creativity” and “The Haunted Mansion Is Creativity,” what are the best books about Disney and its creative process? Here are my Top 8:

“Brain Storm: Unleashing Your Creative Self” – Don Hahn gives readers practical advice for getting more creativity from life. He uses his life experience and his work at Disney to provide some of the best insights and most fun stories for creativity.

“The Imagineering Way: Ideas to Ignite Your Creativity” – The imagineers explore creativity principles and provide examples on how to add more creativity to your everyday life! Use it in conjunction with “The Imagineering Workout: Exercises to Shape Your Creative Muscles” and get your creative muscles in shape.

“The Imagineering Workout: Exercises to Shape Your Creative Muscles” – The imagineers give you some exercise to improve your creative output in this companion book to “The Imagineering Way: Ideas to Ignite Your Creativity.”

“One Little Spark! Mickey’s Ten Commandments and The Road to Imagineering” – Marty Sklar leads us on an exploration of the rules that imagineers follow to come up with and implement their ideas. Go inside the idea process with the experts at the Walt Disney company.

“Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration” – The section on Steve Jobs makes this book about Pixar and creativity worth the read. Ed Catmull does an outstanding job with this story of the Pixar Studios. Read my review at our archive website www.penguinate.weebly.com.

“Dream It! Do It! My Half-Century Creating Disney’s Magic Kingdoms” – Marty Sklar was a prominent imagineer who got his start writing for Disneyland before the park opened. “Dream It! Do It!” is Sklar’s autobiography as it relates to his work with the Walt Disney Company. Check out the review at our archive website www.penguinate.weebly.com.

“How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life” – Pat Williams takes an honest and positive look at Walt Disney’s life. Williams pulls out creativity principles using Walt’s biography as the basis for illustrating those principles.

 “Walt Disney: An American Original” – Biographies are a great way to get inspired and to dig into what made someone creative. Bob Thomas’ seminal work on Walt Disney was released not long after Disney’s death. It is one of the most accurate portrayals of Walt’s life and how he accomplished what he did. Start here before looking at the more modern biography by Neal Gabler.

Tell us which book on Disney and creativity is your favorite!

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An In-Depth Look at the Biggest Problem of Disney California Adventure

As a Penguinator, does it make sense to be critical of Disney California Adventure (DCA)? No one at the Disney Company is likely to read this post and think, “Oh, yeah, we did forget that,” or “Schnikey! We need to fix that ASAP,” especially if I were to leave this post private and for Penguinators only instead of giving you an advanced viewing opportunity. I don’t have any Disney employees on my Patreon list that I’m aware of, and I’m decently certain there aren’t any that visit my blog. Even if there were, the company is notorious for not accepting unsolicited ideas from outside.

Besides, anything I say has already been said by someone else and probably thought of by the imagineers. Still, as a mental exercise to improve creativity, looking at DCA provides the opportunity to unleash the judge, find what’s wrong with the current park, and figure out how to make it better. Imagineers can talk about the idea of Blue Sky thinking where everything goes and there are no rules, but in the end, they are constrained by the park’s current footprint and the bean counter’s budget, which would include the opportunity cost of any major renovation that would significantly change the park. We have no similar constraints if we choose to offer up possible solutions to the DCA problem. We can truly engage in Blue Sky thinking without reference to financial consequences, thinking only about what’s wrong with DCA and what would make the park better.

Where’s the Theme, Park?

Disneyland changed the amusement park industry by, among other things, theming itself and its lands. Walt Disney established early on that spacemen and cars don’t go into Frontierland, and the cowboys stay out of Tomorrowland. The sightlines were created so that people viewing a building on Main Street, U.S.A. would see a different roof than they would see when viewing the same building from Adventureland.

The berm with its train and trees was devised to keep the rest of the world from interfering with the guests’ ability to suspend disbelief. When coupled with the negotiated rules that Anaheim passed for buildings outside the park, guest don’t see anything that Disney doesn’t want them to see (beyond the occasional plane or helicopter flying overhead). Even with Tomorrowland’s current shortcomings (there are plenty of them) and the addition of Star Wars: Galaxy Edge, Disneyland is all about theming – right down to the dolls making the popcorn in the popcorn carts.

As ill-conceived as it may have been to put a theme park about California in California when a majority of Disneyland visitors are from California, DCA was themed appropriately when it opened. The Sunshine Plaza was upbeat and California themed through and through. Hollywood Backlot Studios had the glamour of the 1930s. Golden State celebrated the architecture of the Bay Area, and Paradise Pier took its cue from the Beach and Boardwalk parks. Condor Flats took on California’s aviation history, and Grizzly River Peak with the neighboring Redwood Trail were a tribute to California’s north. The park may not have been good when it opened, but it was themed.

Unfortunately, the theme wasn’t the right one, and the Disney Company had to come up with ways to get people to spend their money to go over to their second gate. Bug’s Land was added to appeal to youngsters. Not really California themed, but it didn’t intrude on the rest of the park, and there were bug’s in California. “Twilight Zone Tower of Terror” was built in the backlot; the perfect place for it. As a hotel from Hollywood’s glamor days of the late 1930’s, the Tower of Terror fit in with the rest of the theme.

When “Monsters, Inc.: Mike and Sulley to the Rescue” opened in 2006, it signaled the beginning of the end for DCA’s theming. Placed in Hollywood in the same area as the defunct Superstar Limo ride that lasted less than a year; Mike and Sulley weren’t (and still aren’t) Hollywood themed. Still the monsters occupy a prominent place in Hollywoodland as one of the two rides in the area – the other one being the Tower of Terror.

In 2008, Paradise Pier saw the opening of the beloved Toy Story Midway Mania. Set within the games of the pier, Midway Mania could be forgiven its intrusion; even if its story, guests being shrunk down to the size of toys so they could play the game, didn’t fit with the theme, the game element of the attraction worked. With Mr. Potato Head playing the Midway Mania Barker, the Toy Story characters didn’t do much to detract from the theme though no self-respecting boardwalk would have such a sophisticated game during the time that Paradise Pier was supposed to reflect. (And let’s face it, Midway Mania is one of the best attractions in either park.)

Other rides on Paradise Pier were rethemed over the next three years to include Disney characters. Mickey’s Fun Wheel received a new paint job and a giant Mickey Head. The Orange Stinger became the Silly Symphonies Swings and Mullholland Madness became Goofy’s Sky School. Within the singular concept of the ride, the retheming of the last two was brilliant. The Silly Symphony Swingers opens up to reveal a painting of Mickey Mouse conducting the band from “the Band Concert,” which isn’t from the Silly Symphony series (highlighting the theming problem again). Still, the use of the whirlwind cartoon on the swings support pole is a great idea. Goofy’s Sky School is just “plane” fun. The problem is that none of the changes align with the area’s theming at the time, and these rides are exactly that – rides – not attractions. These are off-the-shelf, experience-them-at-your-local-carnival rides.

While hyped tremendously as a new attraction for the park, Ariel’s Undersea Adventure quickly became DCA’s version of Snow White’s Scary Adventure. At seemingly twice the size and half the fun, this show-stopping, audio-animatronic disappointingly doesn’t carry the story far enough or strongly enough. Still, it’s routinely 5-minute wait time makes it a nice place to take a break from the heat, and it features some interesting advances – the descent into the sea and the Ursula figure. It’s still in the wrong place. The Little Mermaid has nothing to do with California or Paradise Pier.

In 2012, DCA attempted to keep with the California theming and connect to its mythical beginnings. Missing a golden opportunity to capitalize on its largest changes, the park turned the Sunshine Plaza into Buena Vista Street of 1923, the time when Walt Disney arrived in California with a suitcase and a dream. The Carthay Circle Theater was opened and fit in with the Tower of Terror in the background, but Cars Land with its decidedly Arizona feel debuted at the same time. Arizona isn’t California. How is Cars Land a part of the California Adventure? It’s not, thematically speaking.

In 2016, the popular Soarin’ Over California was replace with Soarin’ Around the World. California is not the world, and the world is not California. In 2017, the Guardians of the Galaxy took over the Twilight Zone Tower of Terror and, in one fell swoop destroyed the themes of Hollywoodland, Grizzly Peak Airfield and Buena Vista Street. These are both popular and fun attractions, but popular and fun aren’t a theme, and the original versions were just as popular and fun.

Pixar Pier
Pixar Pier

In 2018, Paradise Pier became Pixar Pier. Pixar isn’t a theme. It’s a collection of (if the Internet is to believed) vaguely related films with different settings. Even if Pixar properties were relegated to Pixar Pier, the them wouldn’t work. Mixing the superheroes of “The Incredibles,” the shrinking you down to toy size of Midway Mania and Jessie’s Critter Carousel, and the Inside/Out characters of the mind isn’t a theme; it’s a cacophony. Add to it that Mickey’s Fun Wheel and Flik’s Flyers just received paint jobs, with no significant changes otherwise, to go along with the Pixar theme and it looks like Disney has just decided to throw in the towel. They probably could’ve left Flik’s Flyers alone since it was a Pixar film and the theming would’ve worked with Midway Mania, but “A Bug’s Life” has other problems when it comes to theme parks.

Leftovers from Paradise Pier, the Golden Zephyr and Jumpin’ Jellyfish make no sense in terms of theming. They aren’t related to Pixar or Disney characters and only represent the former California Beachside aesthetic. With all of the incohesive changes, Disney California Adventure doesn’t really celebrate Disney or California. Instead, it focuses on providing Pixar a place to put its movie franchises. Things won’t be much better when Marvel joins the scene with its own land. Marvel Land will be able to adopt Guardians of the Galaxy, but this will leave the Red Car Trolley out in the cold and gut the main attractions of Hollywoodland – the Marvel Meet and Greets.

This mishmash of rides and attractions keeps DCA from achieving greatness through theming. Instead it’s a great example of what Disneyland never wanted to be – an amusement park (except DCA is clean and the cast members are friendly).

Why Bug’s Land Had to Change

While the new Marvel Land may not fix DCA’s theming, it does address another relatively small problem: the relevancy of A Bug’s Land. Based on the 1998 Pixar film “a bug’s life,” the land opened in 2002. The land itself was made to be attractive to the younger set, except the 4D film experience “It’s Tough to Be a Bug,’ which was terrifying for some adults. It’s environmental and educational feel was a welcome respite from some of the larger areas of the park, but there was no way these bugs could survive.

The film itself was not one of Pixar’s best. It earned $363 million at the box office, but without a sequel, TV shows, or a cuddly, iconic character, the film has no relevance to today’s children. How many people even remember the film without confusing it for “Antz”? Disney’s classic animation fare has been able to remain relevant through marketing (specifically, the creation of the Princess line, which keeps all of the princesses in the public light as long as new princesses are added every couple of years or so) rereleases and remakes. These movies hold up even through the changing times, and the theming of the lands act as a crutch.

Attractions at Disneyland also remain relevant through the sheer size and scope. The Haunted Mansion, Pirates of the Caribbean, Splash Mountain, and Big Thunder Mountain Railroad are iconic, beloved attractions that create their own atmosphere and fans. Flik’s Flyers? Tuck and Roll’s Drive ‘Em Buggies (which were not bumper cars)? Francis Ladybug Boogie… Does anyone even remember this ride? These were all rides with no real creation to them and without a Dumbo to keep them aloft. Only Heimlich’s Chew Chew Train seemed to make an effort to provide something akin to a new place to visit.

With nothing new on the bug front, DCA needed to come up with something new. Marvel provided the answer. As long as they stay away from the now deceased Iron Man, the land will remain relevant for the next few decades.

World of Color’s and Incredicoaster’s Footprints

The World of Color, which debuted in 2013, is arguably the best show in DCA. The fountains are spectacular, the water screens are amazing, the pyrotechnics are amazing, and the show is flexible enough to be changed almost on the fly to advertise new movies subtly and include new animated sequences. One Christmas show featured the magic of snowflakes a foot in diameter that floated up into the sky. Even the dining options and the viewing areas that go with them are incredible.

The investment in the equipment that Disney made and the popularity of the show make changing the venue area around the show basically impossible. Imagineers are constrained by the World of Color’s space needs.

Just as constraining is the space required for a lesser attraction, the now-called Incredicoaster. Wait times for this attraction hover around 25 minutes, but it is still large enough and technically advanced to warrant protection by the bean counters. It’s change over from California Screamin’ is also an advance in storytelling, especially when it comes to roller coasters.

By Any Other Name

When it first opened, the park was called Disney’s California Adventure. Ironically, it didn’t include Buena Vista street, but was more the company’s interpretation of what California was. Wine country, the Bay Area, the Redwoods, these were all represented. Yes, critics wondered why people would want to see the Disney version of the Golden Gate Bridge when it was just a seven-hour drive up north or a 2-hour flight. Still, that’s what Michael Eisner and his team came up with.

It changed its name to Disney California Adventure in 2010. Linguistically, this could mean that this park is an adventure in California Disney-style. Something along the lines of “have yourself a Disney California Adventure.” It doesn’t have to have the California theming in order to work, except it’s already associated with its first incarnation, and the California parts haven’t been drummed out of it. Choosing another name might work better as far as managing expectations, but it doesn’t change the fact that the park has no cohesive theming.

People come to Disneyland and its related theme parks for the cleanliness, the wonderful cast members and the theming. In its effort to cash in on its acquired IP, the Disney Company has forgotten about the theming at least as far as Disney California Adventure is concerned. Maybe they’ll get it fixed sometime in the future, but for now DCA will suffer from its continued lack of relevance and inability to inspire people to come for more than a day.

It’s our turn for Blue Sky thinking! What could Disney do to make California Adventure better?

If you would like more of this type of discussion, check out “Penguinate! The Disney Company.” Join our email list and Patreon!

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Disneyland’s Haunted Mansion Exterior and trouble accepting new ideas

Disneyland's Haunted Mansion

In a story about Ignaz Semmelweis, the survival rate of children and their mothers, and handwashing included in his book “How to Fly a Horse,” Kevin Ashton points out that even in a “field as empirical and scientific as medicine… Creation is seldom welcome” (74 – 76). People need creativity and change, and they resist it at the same time. It’s part of the dichotomy of being human.

When Walt Disney wanted his imagineers to envision and create a haunted house for his theme park, they all came up with the same idea: a decrepit, run-down building that had ghosts. Walt didn’t like it. He didn’t want a run-down building ruining his pristine park.

According to Sam Gennawey’s “The Disneyland Story,” Ken Anderson, the original lead on the Haunted Mansion as we now know it, wanted to hide the run-down mansion behind trees native to Louisiana. Walt didn’t go for it.

Harriet Burns built three models for Walt to choose from. The imagineers put the pristine building behind the other two decrepit versions. Walt chose the beautiful building every time. He wanted guests to feel welcome in his park; that meant everything had to be clean and in good repair, even the haunted mansion.

Walt was working with some of the most creative people in the planet. Imagineers knew Walt, had experienced his success and demeanor first hand. Even when he told them, “We’ll take care of the outside and let the ghosts take care of the inside” (Surrell, Jason, “The Haunted Mansion: Imagineering a Disney Classic,” p. 13), they insisted on trying to convince him that a haunted house needed to look a certain way.

“Everyone expects a residence for ghosts to be run-down. But Walt was always looking for the unexpected,” (Genneway, p. 180) said Claude Coats.

When those who consider themselves creative and create for a living have trouble accepting new ideas and ways of doing things, everyone else has even greater problems to accept the changes that come with innovations. It’s okay. We just need to realize that creativity is just as necessary for the advancement of humanity as being wary of the change that it brings is. As soon as we can embrace our seemingly opposed sides, we can see they are working together to make us more successful, as long as we don’t let one win over the other all the time.

For more on creativity, get “Disneyland Is Creativity: 25 Tips for Becoming More Creative.” Order “Penguinate! Essays and Short Stories.” Preorder “The Haunted Mansion Is Creativity.” For more on the Disney Company, preorder “Penguinate! The Disney Company” officially releasing on April 14, 2019.

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The ABCs of Creativity: Brainstorming

Creativity comes when people aren’t afraid to make connections or sound dumb. People don’t like to be judged or have their ideas called stupid, even if they sound out there. Brainstorming sessions attempt to put people in a safe place where there is no judgement and they can dream as big as they want to. As an idea generation practice, Brainstorming can provide hundreds to thousands of ideas, depending on how many people participate and how long the session is.

Brainstorming sessions should have between 8 and 12 people. The session should last about 45 minutes to an hour though longer sessions can be advantageous if there are appropriate breaks. All brainstorming sessions have rules. At Disney in their blue-sky sessions, imagineers follow these rules according to “The Imagineering Field Guide to Disneyland”:

  1. There is no such thing as a bad idea.
  2. No talking about why it can’t be done.
  3. Do not stifle ideas with “buts,” “can’ts” and other negative words.
  4. There’s no such thing as a bad idea.

Not everyone agrees that brainstorming is a good idea. Edward de Bono says it’s a waste because so many ideas are discarded and the time to come up with them is wasted thereby. The process is inefficient. However, creativity is inefficient, so the brainstorming session, when the plan begins, should be the most inefficient part of the process.

De Bono also notices that some people try to top others, so the session results in people coming up with the most outlandish ideas. For me, that’s part of the point of brainstorming. Like Disney imagineers, I believe you never know where the best idea is going to come from, and it could come from a connection to an outrageous idea that someone else had.

Others decry the fact that brainstorming sessions have no follow up step. That’s up to the business to create. Recording the ideas and having the team follow up is easier if someone has the authority, time and resources to move forward with new ideas.

If you want to have a lot of ideas to choose from, start with a brainstorming session.

For more ABCs of Creativity, check these links. Grab a copy of “Disneyland Is Creativity: 25 Tips for Becoming More Creative.” Order “Penguinate! Essays and Short Stories: Creating for a Better Life and World.” Preorder “The Haunted Mansion Is Creativity.”