When ‘Dead to Me’ season 2 started filming in Sep. 2019, coronavirus didn’t exist, and 2020 was still in the future. So, how the writers came up with a show that is a simile for the entire year and what we’re all going through is a mystery. Think of Steve as the coronavirus, which leads to a discussion of how long they would have to stay in the house together. The writers have created a simile for everything that has happened and combined it with Poe’s “The Tell-Tale Heart” (affiliate link) creating something new and amazing. ‘Dead to Me’ season 2 continues to provide surprises, even if one of them is straight from a soap opera. It also provides disaster upon disaster.Continue reading Dead to Me Season 2 through Episode 4: If The ‘Tell-Tale Heart’ and 2020 Had a Baby
If you haven’t binge-watched “Dead to Me,” what are you waiting for? With episodes coming in at under 30 minutes, you’re getting a series that can fit in with almost any schedule, and every episode packs a punch of drama, comedy, pathos and the exploration of psychology that comes with it. Bookmark this page, go watch the show and then come back here for the discussion. Spoilers are below the trailer.
Jen (Christina Appplegate) found out she had the gene related to breast cancer and got a double mastectomy (Applegate went through the procedure IRL in 2008) to save her family the trauma of what she went through when her mother died. (She still smokes heavily, but that’s for a different blog post.) After the surgery, her husband stops being intimate with her, and unbeknownst to her, he finds a younger woman with larger breasts to start a relationship with. He told this girl that he was a widower and his wife died from breast cancer.
While Judy’s (Linda Cardellini) case is a little more complicated, she says her fiancé left her after she had her fifth miscarriage. He couldn’t deal with the pain or the letdowns, and he wanted to have a family at some point.
These two experiences are parallel. As the two women have their womanhood and desirability called into question when they, for all intents and purposes, lose the body parts that make them female. Is Jen any less worthy of her husband’s love after she sacrifices for the sake of her family’s future? Is Judy less deserving of love because she hasn’t been able to bring a child to term?
Most people would say “No,” probably including these two women’s husbands before the procedure and the miscarriage had the hypothetical been asked of them. For all of American society’s supposed advances in rights and body image, the U.S. still values women for how they look and their ability to bear children. Nowhere is that point made better without it being preached than in “Dead to Me.”
The trailer is here to prevent you from seeing any spoilers. “Dead to Me” is a slow-burning, smart series that includes surprise reveals and twists you may or may not expect. If you haven’t seen it yet, don’t spoil it for yourself. Go watch it. There is swearing and discussion about issues particularly related to the female experience; both these things should recommend the show to you because they help make it funny, tragic, and create biting irony.
When Judy (Linda Cardellini) befriends Jen (Christina Applegate) at a grief group, it seems sincere enough. She’s a little too eager and overzealous, but people grieve in different ways. This may just be the way Judy deals with her grief.
However, Judy’s secret casts a shadow on her interactions with Jen, even as they become fast friends. Judy was the driver in the hit and run that killed Jen’s husband. The guilt she feels has led her to try to do something for Jen and her family to make their lives better. Through her actions, camera angles and the acting skills of Cardellini, it also becomes clear that Judy wants to be caught. She doesn’t want to live with her guilt, but she doesn’t want to go to jail, either. The only problem is that she doesn’t know how to relieve her guilt without putting her at risk of going to prison.
To avoid any spoilers for “Dead to Me,” I have intentionally kept the subject of this post out of the title. That may mean fewer page views, but ultimately, it means better viewer service. If you’ve already seen “Dead to Me,” then feel free to scroll past the trailer. If you haven’t, I’m not sure what you’re waiting for. Go watch it and then come back to this article. You can book mark it. It’ll be here when you come back.
According to the Mayo Clinic, between 10 and 20 percent of known pregnancies end in miscarriage. Miscarriages are rarely addressed in American culture. It’s almost as if superior medical practices and technology have made miscarriages a thing of the past. As an overlooked problem, and one that is often attributed to the woman and her lack of womanhood, it may be difficult for women to find a place that can help deal with the emotions a miscarriage may instill.
Judy (Linda Cardellini) has had five miscarriages, but this isn’t sufficient enough loss for some members of the grief support group to accept her after she has lied about her fiancé. It’s clear from a flashback that Judy’s grief comes from another place as well, but the group members don’t know about it. They just know she lied.
Not everyone handles their grief in the same way, and when something as personal as a fifth miscarriage is the cause, the woman may displace her feelings and choose to deceive to get the help she needs without exposing the reality of her situation. “Dead to Me” does a beautiful job of dealing with this emotional situation, touchy subject, and the psychology that comes with it.
When Jen (Christina Applegate) goes to a grief counseling circle, Judy (Linda Cardellini) tries too hard to become her friend. Jen holds onto her anger at her husband’s killer, a hit and run driver, and she is left alone with her two boys. Judy comes across as flaky, weird and possibly crazy. She says she lost her fiancé eight weeks ago.
“Dead to Me” deals with grief and other social issues. When the twist is revealed, it’s not because it’s obvious; it’s because of the acting skills of Cardellini and possibly the director’s skills.
There’s only one way this series can end, but much like watching a train wreck, you won’t be able to look away as the characters become more entwined and make choices that, while poor, make sense in what we as viewers know about the situation. The acting is great. Cardellini and Applegate make for an odd couple that fit just right. The situations are funny, and the dialogue is spot on. The characters are sympathetic and the script is well-written.
Don’t be put off by the stated subject matter of the series. “Dead to Me” is funny, smart and deserves to be in queue and binged at the first possible moment. Discover something you didn’t know you were missing.