“Frozen 2” is one of those rare sequels that is better than the original. The team, somehow, remained true to the source material, created characters that are like real people, and explored several levels of story depth, including creativity and what people are really like. I loved “Frozen” so much that my roommates in Malta got me Olaf themed gifts for Christmas. I’m not saying I planned our entire New Zealand trip around the release of “Frozen 2,” so I could see it in English, but… In case I need to say it, spoilers after the trailer.Continue reading ‘Frozen 2’ Builds on its Predecessor while Exploring Creativity and Revealing Human Nature
The opening of Star Wars: Galaxy’s Edge was either handled correctly or greatly misfired depending on who you talk to. With limits placed on annual passholders, a complicated reservation system that required many guests to stay at the Disneyland Resort hotels, and fears of overcrowding keeping other guests away, Disneyland’s first half of June was light on crowds in the park as a whole. Wait times for HyperSpace Mountain rarely rose above an hour. Other favorites had manageable wait times from 35 to 45 minutes, and many Fantasyland attractions had walk-on wait times of 5 minutes.
For those fans interested in the theming of the world’s first “theme” park, Galaxy’s Edge signaled the return of Tomorrowland to its original concept: exploring the world of tomorrow. Instead, Disney has kept its Star Wars Tomorrowland attractions open and is using them to hype Galaxy’s Edge. Instead of offering 51 different variations, Star Tours ends in Batuu, the setting for Galaxy’s Edge. As mentioned above, Space Mountain is in its Star Wars garb. Star Wars Launch Bay features meet and greets with the Star Wars characters.
All of this would be fine if there were an indication that Disneyland would move it to Galaxy’s Edge when the Star Wars Land is completed. However, the Disney Company and its development of Epcot attractions is showing that it no longer cares about the educational parts of its parks or the exploration of the future. Instead, it will rely on its pop culture aspects to draw in the crowds for entertainment. It makes sense for the company to want to use its acquired billion-dollar IP, even if it doesn’t pay respect to the educational and innovative history of the business.
Fans of the Tomorrowland concept may have to go back to their memories, old YouTube videos and TV Specials and Yesterland to experience a version of Tomorrowland that made sense within its dated context. Unless we all start a gofundme campaign and build our own Tomorrowland project. Leave a comment about what you would like to see in Tomorrowland.
For more Disney Company analysis, get “Penguinate! The Disney Company.” For more on Disneyland’s history and how it relates to creativity principles, get “Disneyland Is Creativity.” For a tour of the Haunted Mansion, its history and how it relates to creativity principles get “The Haunted Mansion Is Creativity” (also available at the Candy Cane Inn in Anaheim).
Ken Anderson was laid off by MGM in 1934. He was married and spent a month “living on the beaches and eating canned beans and what-not” (The Disney Family Album). He applied to the Walt Disney Company at the urging of his wife Polly even though his education was in architecture. Anderson’s additional accomplishments include work on “The Goddess of Spring,” “Ferdinand the Bull,” and “Snow White and the Seven Dwarfs.”
Anderson was the first imagineer to really work on the Haunted Mansion as an attraction. Harper Goff did a drawing of a haunted house as part of the Mickey Mouse park Walt Disney was considering in 1951, and Marvin Davis gave a haunted mansion a place in Disneyland that never materialized.
In 1957, Anderson wrote his first storylines for the Haunted Mansion. He researched houses in the south and went to the Winchester Mystery House to look at group movements and timings. His storylines included a captain/pirate who killed his new bride, a ghostly family that kept the mansion from being renovated, a tour led by Walt Disney, and a mansion that used the Headless Horseman and the classic monsters of literature.
Anderson suffered a stroke after the release of “101 Dalmatians.” He lost the ability to move and was left blind by the stroke. He had “absolutely no control” over his body. He came back with the inspiration from a grove of trees and worked on Shere Khan for “The Jungle Book.”
Ken Anderson worked for Disney for 44 years. He is one of the few unsung heroes of the Haunted Mansion. Without his first treatments and ideas for the inside, we may not have the classic attraction that exists today. Let his example help you improve your work situation, perseverance and creativity.
Sources: “The Haunted Mansion: Imagineering a Disney Classic” by Jason Surrell.
“The Disney Family Album: Ken Anderson” aired on the Disney Channel in 1984. Accessed at https://youtu.be/mSPnwK2yPtQ
“Ken Anderson; Disney Art Director, 84” in the New York Times. Accessed at https://www.nytimes.com/1993/12/19/obituaries/ken-anderson-disney-art-director-84.html
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