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Curiosity, being childlike and Questlove’s experience getting older

Being childlike is important to creativity. Children are curious; they ask questions about everyone and everything. They don’t care who is better. They don’t care about their egos. They don’t care if someone is stepping on their own creativity. They play with abandon and talk to famous people with the same irreverence as the talk to their parents and friends.

“When I was ten, I was curious with reckless abandon. There wasn’t any fear about consuming things: if they interested me, I took them in. I ranged far and wide because I wanted to see what was out there,” says Questlove. “Now that I’m older, I’m more cautious. I’ve whittled my influences down to my pantheon of drummers and singers and guitarists, and it’s hard for new people to crack the shell.”

In “Creative Quest,” Questlove calls this a “hardening.” He says that there are some artists about whom he “feels a certain way,” which he explains is “nuanced form of snark.” It allows him to slow roll “whatever envy you admit by not admitting.”

This not-quite jealousy keeps Questlove from listen to a few artists “at all.” It may be that he doesn’t want to be influenced by or learn more about the artist or he feels a certain way, and “it gets worse with age.” Questlove recognizes this as a problem, this “brittleness,” and he says that as a person ages, he or she is going to have to deal with it.

There are a million reasons why its hard to be curious as you get older. Even with the Internet, it’s harder to satisfy that curiosity. Who has time to find out and understand why solar panels work? Who wants to learn new information that could challenge old, long held beliefs? Who wants to find someone younger doing something better in the same field wherein they both work?

It’s easier to keep on living with the information that one has accrued and not to challenge that status quo in one’s own life, even when one specifically self-describes as a creative. It’s much harder for people who think they’re only a little creative or they’re not creative. However, adopting a childlike acceptance of your own limitations and taking wonder in what other people are doing in your field (like children at play) will help you become more creative and have better ideas. It’s in the challenge and the questioning of the status quo that creativity thrives. Find the space that allows you to play, to be curious and to create.

For more on creativity and Questlove, check out: “‘The Pirate Union’ and collaboration” and the links at our Creativity page.

If you liked this essay, you can get more in ‘Penguinate! Essays and Short Stories.’ To improve your creativity, get ‘Disneyland Is Creativity.’

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The Disneyland ‘A Christmas Fantasy Parade’

Opening float for A Christmas Fantasy Parade

As Charles Dickens wrote in ‘A Christmas Carol’:
“It is good to be children sometimes, and never better than at Christmas, when its mighty Founder was a child himself.” Creativity requires people to be child-like. Children are insatiably curious. They combine things that no one else would think of; they explore the intersections where concrete meets grass and water meets land.

Enjoy these photos from Disneyland’s ‘A Christmas Fantasy Parade’ and find your inner child. Read more about being childlike and creativity.

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Marvel Vs. DC: Who has the better fans?

Looking at the box office scoreboard, this discussion may seem like a no-brainer. Clearly, Marvel wins in every aspect of movie profitability. Critics and audiences alike seem to score Marvel films highly, and the receipts for this $4 billion Disney purchase make Marvel a bargain buy for the House of the Mouse. While the box office dominance is undeniable, this doesn’t mean that Marvel has a better fan base; it just means that it has better movies.

In fact, the box office reveals something quite different. DC clearly has the better fan base. When a POS like Batman Vs. Superman can rake in $872 million worldwide, it isn’t the casual fan that is making that happen. When a decent but not super film like Suicide Squad can show the legs it has at the end of summer start of fall, it is the DC fans that are making it happen. DC has been making clearly inferior films, and yet, those films have been blockbusters. It can only be fans who return time and again to see their favorite characters. If Marvel had the same fan base, it would have garnered more than the current 4 in the top 12 films on the all-time box office list.

Not only are DC fans propping up the box office, they are also propping up the advertising campaigns. A vocal movement, which made international headlines, to shut down Rotten Tomatoes because of the critic rating of Suicide Squad was enough to create more curiosity among casual movie goers. This seemingly absurd and outlandish petition generated controversy and kept Suicide Squad in the minds of the population who may have otherwise skipped the film because of the critic rating. Critics are often wrong, and in this case, it worked to the advantage of the film.

All of this happens at a company that has no Stan Lee at its forefront. Lee is a god amongst geeks, and his word generally carries fans beyond the pale. His presence in every Marvel film, doesn’t make the film better necessarily, but it does make the fanboys and girls squeal. Lee and his cult of personality should be able to drive every Marvel film above the $1 billion mark. Instead, DC is relying on the strength of the appeal of its characters, if not the actual characters themselves, to bring in audiences, and it has thus far worked.

Marvel films may be glorious hits that are super profitable, but they are drawing on the return presence of fans that aren’t necessarily Marvel fans. DC relies on its core of superfanatics to make sure that it has enough in box office to bring out the next movie. That gives the rest of us hope that DC will figure out how to make the next movie wonderful.